Logic Pro vs Pro Tools: Which is the Best DAW for You? – Updated May – Guitar Space

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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After over half a decade in the film industry, she came back to her Journalism roots to write for a variety of media outlets about subjects including technology, business, marketing, and social and environmental justice. Get Started Sign In. So, get ready for the showdown of Avid Pro Tools vs. Apple Logic Pro X. Pro Tools also offers a “Pro Tools Ultimate” version with additional tools Logic Pro X, however, still operates on a software ownership model.

Price is also a big factor that may draw the line in the sand for many producers. Thank you! Your submission has been received! Something went wrong while submitting the form. Share this article. Three new EQ consoles, all based on classic models from the 50s, 60s and 70s, also make their debuts in Logic Pro X These are emulations of Neve and Pultec EQs, and see the welcome addition of vintage models into the palette. One of the advantages offered by these models is that whereas the original hardware had various stepped settings, the digital versions allow you the option to also sweep through the intervening frequencies, creating new sonic possibilities.

Each also features a drive control in the Output section and the ability to turn off the EQ stages. This means you can use the natural characteristics of each unit to colour the sound without needing to engage the EQ itself. Step FX combines distortion, modulation, reverb and delay effects with three step modulators, all of which can result in some serious sonic mangling.

By selectively engaging each step modulator you can alter the pan, gate and filter frequency, or engage all of the units for some fascinating polyrhythmic anarchy. The clue is definitely in the name with this effect, as the results you can get from it when applied to guitars, bass or drums are indeed phat!

You can move the positioning of each effect in the chain by simply rearranging the order of the names at the bottom of the window, or opt for one of the many preset sounds included in the menu. Within minutes of turning on Phat FX we found ourselves smiling broadly and enjoying the creative playground that will be a regular feature in all our mixes from now on.

Alongside the considerable new features listed above Logic also comes with a host of other additions. It offers 4, 32, or inputs depending on the version you subscribe to. The 5. There are endless editing options with the Elastic Audio feature, the Midi Editor, and a whole bunch more. Logic Pro also offers amazing options with sampler instruments and an audio library with patches for an auxiliary, audio, instrument, and output tracks. Position the playhead at the exact location on the track where you want to record, then just hit the magic button.

Logic Pro appears to be cheaper in the long term. Firstly, you will need an Apple computer to run this system. This can add thousands of dollars to the overall cost. The other issue is that Logic Pro continuously updates over time. Their subscription-based model is more transparent. Of course, you might want some formal training, but you can move around relatively quickly at the very beginning. Then, of course, as you want to go deeper, get more professional, it gets more challenging and more complicated.

Bobby Borg: OK, so the last point is standardization. Which software is going to be easier to communicate with and speak with the rest of the world, you know with other producers with other industry professionals?

Maurizio De Togni: Very similar. Logic only works on a Mac, which might be a limitation for some people. And we could even throw in another competitor, Ableton Live. At the end of the day, Pro Tools is your main language — no offense to the others. Bobby Borg: No, of course not.

Logic Pro X review | Macworld

You can compare this update to the previous one by checking out our Logic Pro X And to see how the pro-level software compares to the free music production app that comes with every Mac, read our Logic Pro X vs GarageBand feature. Apple has stated that Logic Pro X has more than 2, bug fixes and new features nestling in its code. While these figures can often seem like hyperbole — is it 1, bug fixes plus a new reverb?

New capabilities and plugins such as Smart Tempo, ChromaVerb, Step FX and Phat FX all make this an update that any other company would not unreasonably claim as a full version upgrade rather than a point release. The fact that Logic owners get these new innovations for free is, frankly, ridiculous, and Apple should be applauded for its continued support of the platform.

Logic Pro X users will already be very familiar with Flex Time, the feature that can sort out the wandering tempos of live performances by subtly pulling them back on to the beat. While this is a blessing for producers wanting to keep everything sounding tight, it can mean tracks feel too precise at times, sacrificing the looser feel that harks back to the days of Led Zeppelin when the only click track used was a pounding drummer in the next room.

With Smart Tempo, Logic essentially turns Flex Time on its head, adjusting the tempo to fit around the audio instead. With the feature engaged you can record a live instrument, not concerning yourself overly with setting the right tempo. As you play, Logic monitors and analyses your timing, placing various tempo change markers into the track information. When the riff or chord sequence is down, it then uses the markers to adjust other tracks so that they fit with the feel and timing of your recording.

This means that the drummer will sit in with you, making small corrections to match your playing, as will any other loop or audio that you add to the project. The tempo markers are attached to the recording, so if you move it to another part of the project the changes will move too.

They are also replaced when you copy and paste the region. Avid Pro Tools Ultimate is a dub stage powerhouse. The workflow that you use on dub stages is generally to link multiple machines via LTC or in Pro Tools’ case, a special network-based syncing called ‘satellite’.

One machine is sound library and effects, one is dialog, music, foley, etc. They all then get recorded into the “dubber” so that the final soundtrack can be put together for the program being worked on. This supports up to 12 machines playing back simultaneously.

No other DAW offers a solution quite like this. Most plugin manufacturers make this given that Pro Tools is in fact the industry standard for most mixers and producers. Besides the unique fact that Logic Pro X supports 1,s of tracks for mixing music, doing large pos projects, or whatever else you want to do, it has a very user-friendly automation feature set and UX design.

There is no notion of parameters for plugins or virtual instruments needing to be enabled. You simply turn on write, latch, or touch, playback, and alter the desired parameter to your liking. Pro Tools and Logic Pro differ here because in Pro Tools you need to explicitly automation-enable parameters.

This is an annoying process that results in much more clicking than is desired. Logic supports any third-party plugins that are made as AU AudioUnit. Besides the Avid plugin bundles that solely come as AAX, there is no shortage of plugin manufacturers making AU plugins.

Pro Tools has some key differences when it comes to editing features. Pun intended here because what makes these differences substantial is the assignment of key commands to given functionality. In some ways, learning the Pro Tools editing key commands is like learning how to play an instrument. The more you use them the more they’re etched into your muscle memory, allowing you to work quickly and efficiently when editing audio. The editing toolset is vast and can be accessed solely by keystrokes, with absolutely no need of touching the mouse if you get good enough at it.

Another huge editing function is the flexible grid that Pro Tools provides. You can choose between grid, slip, shuffle, and spot. The grid keeps you locked to the time ruler of your choice, be it time code, mins.

Slip is a free grid where you can move around in sample-based capacity. Shuffle does exactly what its namesake suggests and shuffles clips around to replace one another as they’re dragged around the timeline.

The spot allows you to click a file and input the desired location in time to drop the file at that exact location. This level of flexibility isn’t available in any of the other digital audio workstations. Pro Tools wins this battle overall. You can manipulate audio files to your liking with useful Polyphonic, Monophonic, Varispeed, Rhythmic, and X-Form warp modes.

Each serves a different purpose, the latter being rendering only. This is used in conjunction with warp markers, just like the warping features of Logic Pro X. All the features regarding warping are pretty much identical when it comes to Pro Tools and Logic.

A big difference in editing with Logic Pro X when it comes to editing functionality is the fact that you can customize the key commands to your liking. Logic users will appreciate the ability to export the desired key commands and take them around to different studios if you have a configuration that you can’t be without.

This has its ups and downs, given that collaboration can be difficult with a non-regular key command setup. Like Pro Tools, Logic has a comprehensive set of editing tools. Accessing the different tools is a bit different, whereas some of them are key command assignable and some aren’t. You can cycle through them though with a key command, and you can switch between two assigned tools at once. Also like Pro Tools, tools can be activated based on where the user has the mouse on the audio clip.

The bottom right is trim, the upper right is loop, and the top of the region allows you to grab the clip and move it around the timeline.

The marquee tool is a very useful one for audio editing, as it can provide a solution for both selecting and slicing at the same time. Once the user has made a selection, all they have to do is click in the middle of the highlighted region, and the region is non-destructively cut from the audio clip.

This allows complete control when editing regions, making loops, slicing transients, etc. Smart tempo is another unique feature of Logic Pro X. The Logic DAW software lets you record music with no metronome, then analyze the recording later and have the grid conform to the file itself. It sounds more magical than it is, as it will most likely still require some warp marker adjustments once the smart grid is calculated.

Introduced in Logic Pro Live Loops lets users trigger cells in a grid. The grid can be made up of your own recordings, loops or samples, and are great for creating a full track from disassembled parts and disparate elements. You can add instant filters, gates and more using Remix FX, too, so you can customise sounds within the Live Loops setup. Flex Time is integrated, too, allowing for a wide range of sample lengths without altering the pitch. Part of that is down to the aforementioned Live Loops feature.

Each of the recent versions have added not just a wealth of stability improvements, but a huge number of changes. Logic Pro was a five-star product before the update, but now that this upgrade has arrived, and is completely free to existing users, we may well have to start rethinking the maximum number of stars that can be awarded.

Apple Logic Pro X promises a beat breakthrough – CNET – System requirements

 
 
Live Loops Explore musical ideas using a grid of musical loops and phrases that you can trigger and manipulate in real time to create unique arrangements. In OctoberApple released Logic Pro Additions to Logic Pro 7 included: the integration of Страница Loops, Logic pro x 10.4 vs pro tools free Audio Processing a technology for combining the power of multiple computers on a network3 new instruments including Sculpture a sound modeling synth and Ultrabeat a drum synth and sequencerand 9 new effect plug-ins including Guitar Amp Pro guitar amp simulatorand a linear phase corrected version of their 6 channel parametric equalizer.